WEDDING FLOWERS: Tiara Thursday
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Showing posts with label Tiara Thursday. Show all posts
Showing posts with label Tiara Thursday. Show all posts

Tiara Thursday (on a Friday): Empress Farah's Turquoise Tiara

The Duchess of Gloucester's outing of the Teck Turquoise Tiara this week has put me in a turquoise mood, so let's chat about a tiara that's grown to be rather a favorite of mine. This one was worn by Farah Pahlavi, the third wife and Empress (or Shahbanou) to the last Shah of Iran.
Empress Farah's Turquoise Tiara
It's only fitting that a great turquoise tiara would by a Persian shahbanou; mining of turquoise and decorating with the stone is part of Iran's history, and Persian turquoise is famed for its quality. More than one turquoise tiara is tied to the dynasty, but this is my favorite of the known options, like a colorful version of the Antique Pearl Tiara from the Netherlands. The base contains a central round turquoise stone with oval turquoises to the sides in a diamond framework, and a top of nine upright turquoise stones in a graduating height arrangement. A pair of pendant earrings were worn with the tiara, and there was also a turquoise necklace to pair with it.
Farah
This tiara was made for Farah's personal use, unlike the Noor-ol-Ain Tiara or her Seven Emerald Tiara, which were created as part of the crown jewels and remained with the state when the monarchy was abolished. However, the Empress did not take this tiara with her when she left the country, and today she does not wear tiaras to the royal events she attends. But when it was in use, she wore it to perfection (the high center point made it an especially good fit for the tall updos she sported back then), and it's a shame we don't get to see it today. But of course I would say that, since I think it might be my favorite of the Iranian tiaras.

Where does this rank on your list of favorite Iranian tiaras?

Photos: Wikimedia Commons

Tiara Thursday: The Barberini Sapphire Tiara

The Barberini Sapphire Tiara
So many of the sapphire tiaras we know today are fairly symmetrical, even architectural, in their design, so an asymmetrical floral option makes for a refreshing change of pace. Joining other sapphire floral tiaras such as the Ogilvy Tiara, the Barberini Sapphire Tiara features a flowering wreath design. A rose-cut diamond branch is the base for old-cut diamond flowers with an oval collet sapphire at the center of each, and more sapphires are scattered along the branch. The stones are mounted in silver and gold, and the tiara dates from around 1850.
Other pieces in the set
The tiara is part of a parure that includes a necklace, brooch, and girandole earrings. The accompanying pieces are also notable for their commitment to the floral theme, when many parures might opt for a simpler design for the rest of the set. These were among the jewels that belonged to the Barberini family, an old Italian noble family that counts a pope among its ancestors (Pope Urban VIII) and who gave their name to the Palazzo Barberini in Rome, today the location of the National Gallery of Ancient Art.
The tiara is modeled before its most recent auction
These particular pieces are known to us via their history of auctions, rather than their former owners. The jewels were first sold by Christie’s as a parure in 1971 for $18,850. They were sold again, this time as four separate pieces, in 2009, and brought in close to $250,000 all together ($100,144 for the tiara alone). Floral tiaras are not my favorite overall, but this one does have a charm that makes me wish I’d had the checkbook power to scoop these up.

Sapphires in your floral tiaras, yes or no?

Photos: Christie's / Marco Secchi via Getty Images

Tiara Thursday: Queen Marie José's Beauharnais Pearl Tiara

Today's tiara is unusual for a variety of reasons.
Queen Marie José's Beauharnais Pearl Tiara
First, of course, is the design. Pearl tiaras are often more diamond heavy than pearl heavy, but the design of this coronet-like piece relies on small pearls to outline the engraved gold base and the triangular and fan motifs above it, with small diamonds just as accents. It was made around 1829 in Paris, making it one of the older tiaras still in existence today - but adding another point in the unusual column, it looks mostly the same today as it did back then. Many diadems dating back that far have been remodeled heavily over time, but this one has only been modified to add an extension piece at the back.
Stéphanie
The tiara belonged to the adopted daughter of Napoleon, Stéphanie de Beauharnais (1789-1860). Stéphanie married the Grand Duke of Baden, and she was pictured wearing the tiara (above). The tiara made its way to the Belgian royal family, who are related to Stéphanie courtesy of her granddaughter Princess Marie of Hohenzollern-Sigmaringen, Countess of Flanders (1845-1912), and it eventually ended up in the possession of Princess Marie José of Belgium (1906-2001), daughter of King Albert I and granddaughter of the aforementioned Countess of Flanders. (It should be noted that some references to this tiara tie it back to Empress Joséphine, Napoleon's first wife, who died prior to the reported approximate creation date of the piece, and some paths of ownership tie it to Empress Charlotte of Mexico, born a Belgian princess, at some point.)
Marie José
The tiara's main modification came in 1924, when the band was extended at the back so that Princess Marie José could wear it in the fashionable style across the forehead to her first court ball. In 1930, the princess married the future King Umberto II of Italy. The tiara stayed in Queen Marie José's possession until her death in 2001, when it passed to her daughter, Princess Maria Gabriella of Savoy. It was auctioned at Christie's in 2007 (as were other pieces from the late queen's jewel collection, including the Empress Joséphine Tiara), and it sold for $85,190. Adding another layer to the rarity of the tiara's tale, it did not disapper into a private collection but was bought by the state of Baden-Württemberg in Germany. They purchased the tiara because of its link to the history of Mannheim Palace, which was the home of Stéphanie de Beauharnais. It is now part of the museum collection at the impressive Baroque palace.

As pearl tiaras go: Yay or Nay?

Photos: Christie's, Wikimedia

Tiara Thursday: The Russian Sapphire “Wave” Tiara

The Russian Sapphire "Wave" Tiara
Today’s featured tiara is one that has been mentioned in the comments on just about every Romanov tiara we’ve covered of late, I think, so we’re overdue to give it a proper day in the spotlight. It’s an eye-catcher to be sure, and while pretty much every Russian imperial tiara has a bit of mystery to it, thanks to the course of history, this one comes with extra intrigue. It was essentially an unknown piece of Russian treasure until evidence of its existence was unearthed in 2012. You might expect such a discovery from the files of an historic jewelry house or perhaps the depths of a wealthy private collection, but this one came from a far more surprising source: the library of the United States Geological Survey (USGS), in Reston, Virginia.
The Marie Feodorovna portrait and the sketch referenced below, with a detail of the tiara center
Mineralogist and gemologist George F. Kunz (1856-1932), who worked for the USGS as well as Tiffany & Co., left his private library to the government agency when he died. Among his treasures was a large book with a nondescript exterior and a title plate in Russian that turned out to translate to The Russian Diamond Fund, with a publication date of 1922. The Diamond Fund is, to this day, the name for the Russian state’s store of their remaining crown jewels. Kunz’s book was a photo album of pieces of Russian jewelry. The USGS compared the album to another publication, Russia’s Treasure of Diamonds and Precious Stones, published in 1925 and regarded as the most complete inventory of the Russian crown jewels which were seized by the new state after the revolution, and discovered that most of the photos were printed there as well. But they also discovered that their 1922 album included photos of four additional pieces, mysteriously not included in the 1925 inventory and thus unknown to most jewel scholars: an emerald and diamond necklace, a sapphire and diamond bracelet, a sapphire and diamond bow brooch, and a sapphire and diamond diadem.
Video: The USGS discusses the discovery
The tiara in question includes nine large sapphires, each surrounded by arcs of diamonds ending in dangling diamond drops, a design reminiscent of breaking waves in the ocean. Investigation into its provenance produced a sketch that seems to depict the piece. The sketch is reproduced in Tiaras: A History of Splendour by Geoffrey Munn, where it is identified as a study by Nicholas Chevalier of the jewels worn to the 1874 wedding of Prince Alfred, Duke of Edinburgh and the Grand Duchess Marie Alexandrovna of Russia by Marie Feodorovna (née Dagmar of Denmark, 1847-1928), then the Tsarevna, wife of the heir. The same piece may be the diadem depicted in a portrait of her from the same year. (Note: The video above about the discovery briefly mentions the tiara belonging to Marie Alexandrovna instead, though the sketch itself points elsewhere as I’ve mentioned here.) These illustrations indicate that the tiara was originally worn attached to a traditional fabric covered kokoshnik headdress which was topped by what appears to be a diamond rivière.
The large table of Russian jewels, top; all four jewels discovered in USGS photos, bottom
Apart from that speculation, the rest of the story behind these four pieces remains a mystery. Three of them can be spotted on the table laden with bejeweled treasures above, but we don’t know why they were excluded from the 1925 inventory. The USGS research team was able to determine that the brooch was sold at an auction in 1927, but other record of what happened to these gems seems nonexistent so far. While it is possible that they still exist – it’s happened, things going missing for a century and then popping back up – they may also have been dismantled. Sad, but all too often true.

Would this nab a spot on your list of favorite sapphire tiaras?

Photos: USGS, USGS video, Wikimedia Commons

Tiara Thursday: The Murat Tiara

The Murat Tiara
Built as a showcase for three large pearls, the Murat Tiara is a creation by Joseph Chaumet. It dates from 1920, when it was created as a wedding gift for the marriage of Prince Alexandre Murat (1889-1926) and Yvonne Gillois (1894-1961). The large pearls came from the Murat family. The center pearl, noted as an "exceptional treasure" at the time of the tiara's sale, is a baroque button-shaped natural pearl of over 75 carats (75.84 carats to be exact, or 303.37 grains). Two additional large pearls, also button-shaped and natural, were added to the sides of the design, adding some balance to the large centerpiece. The family also supplied most of the diamonds used for the design of acanthus foliage scrolls that accent the pearls.
The Murat family's title goes back to the reign of Napoleon I, when Joachim Murat (1767-1815) rose up through the military and married Napoleon's sister Caroline Bonaparte. Titles were granted and eventually Joachim was King of Naples and Sicily (though all did not end well for him; he was ultimately executed for treason after the fall of Napoleon). The family maintained a prominent position in French society, and at the time of this tiara's creation, there still would have been plenty of tiara occasions for the new bride to attend.
This is a tiara certainly intended to convey status, thanks to those enormous pearls. The design itself is grand enough to recall the family's roots, with an acanthus motif that would have fit in at Napoleon's court. The tiara originally had a separate bandeau on which it could be worn for additional height and an option to be worn at the forehead, in a style very much of the 1920s but also very much in the style of Empress Joséphine. All of that grandeur paid off when the tiara was auctioned at Sotheby's in 2012. Estimated to bring in up to $2,445,636, the tiara sold for $3,864,318.

What do you say: A successful incorporation of large single gems?

Photos:  Sotheby's, Miguel Medina/AFP

Tiara Thursday: Alexandra Feodorovna's Emerald Bow Tiara

Alexandra Feodorovna's Emerald Bow Tiara
As we’ve discussed before, if you’re searching for stones of exceptional quality and color, you need look no further than the collection that belonged to the Romanovs at the height of their splendor. The green stones featured in today’s tiara are one example, Colombian emeralds with what was said to have been a brilliant color. The center emerald is a sugarloaf cabochon, an unfaceted cut rising to a high point in the center, weighing in at around 23 carats. The emeralds were combined with South African diamonds in a design of upright loops alternating with bows in this tiara made to the order of Alexandra Feodorovna (1872-1918), wife of Tsar Nicholas II. It was crafted in gold and silver with removable elements in 1900 by imperial court jeweler Bolin.
Alexandra Feodorovna
The tiara was part of a matching set of jewels. Also made by Bolin for Alexandra at that time was a matching necklace and she was painted in 1907 by N.K. Bodarevsky (above) wearing what appears to be a matching brooch. A devant de corsage (dress ornament) of emeralds and diamonds with was made by another jeweler to the imperial family, Fabergé. The corsage was ordered by Alexandra Feodorovna’s sister, Elizabeth (1964-1918), who was married to Nicholas II’s uncle. The matching stones and bow design suggests that it was intended to be part of the same parure.
A detail of the center element in the tiara (left), the devant de corsage (center top), the tiara displayed with other jewels to be sold (center bottom), and the necklace (right)
Unfortunately, like so many other Romanov jewels, this parure has disappeared. It was sold by the Soviet government in the 1920s, after the overthrow of the monarchy. It’s hard to imagine it being successfully worn today, though; the tiara is actually a circlet, a complete circle, probably best worn with the elaborate hairstyles of the time, and a piece like the devant de corsage would scarcely be used with today’s fashions. The devant de corsage, however, is the one piece that has a version in existence today: a replica was made in 1985 for the Diamond Fund, the Russian state’s jewel collection.

Who do you think could pull this set off, if it was around today?

Photos: Fersman, Wikimedia Commons, USGS

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