WEDDING FLOWERS: Tiara Thursday
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Showing posts with label Tiara Thursday. Show all posts
Showing posts with label Tiara Thursday. Show all posts

Tiara Thursday: The Roxburghe Tiaras

A while ago I mentioned a Sotheby's sale including pieces from the estate of Mary, Duchess of Roxburghe, which included three tiaras. The sale was on May 12. Today, we're taking a closer look at those diadems. Buckle up, you're in for a triple tiara treat...
Our three tiaras in action, modeled before the sale
Born in 1915, Mary was the daughter of the Marquess of Crewe and his second wife, Lady Peggy Primrose. She was named after her godmother, Queen Mary. In 1935, she married George "Bobo" Innes-Ker, the 9th Duke of Roxburghe. Society life rolled on as usual for the couple, including a role for the Duchess as a trainbearer to Queen Elizabeth at the 1937 coronation, until 1953. Eighteen years after their marriage, her husband abruptly (and apparently without stated reason) tried to have Mary evicted from Floors Castle, his ducal seat. Thus began a marital feud that lasted six long weeks, Mary refusing to leave the castle while the Duke shut her out of as many amenities as he could, including telephone, electricity, and gas. She survived with the help of sympathetic neighbors including the Earl of Home, future prime minister, who stepped in to negotiate an end to the standoff. The Duchess of Roxburghe was granted a divorce in London. The couple had no children. (The Duke swiftly remarried and had two sons by his second wife.)

Video: On Mary and some of her auctioned jewels, including unrelated jewels at the sale. For a video showing West Horsley Place, click here.
Mary made her life in London after the divorce and eventually inherited a country estate, West Horsley Place, when her mother passed away. She did not remarry and did not have children of her own. When she died in 2014 at the age of 99, her estate passed to her nephew, television presenter Bamber Gascoigne. West Horsley Place is in desperate need of extensive repairs, and she assumed he would end up selling the mansion and estate. Mr. Gascoigne, however, decided to go the opposite route. The Sotheby's auction was designed to raise funds to keep the house and make the necessary repairs. It reminds me of the strategy Princess Gloria of Thurn and Taxis used to keep the family fortune afloat in the 1990s, selling things that can reasonably be bought again (such as jewels) and keeping those that can't (such as historic estates), which seems quite smart to me. As an added bonus for those that love jewels, this brings several wonderful pieces to our attention.

Among other gems, the auction included three tiaras:

The premiere piece in the collection is a unique diamond tiara by Cartier that dates from the 1930s. An Art Deco geometric treasure, it is set with circular-cut diamonds and topped by a series of 31 collet-set diamonds. The case from Cartier is stamped with the monogram and coronet of Mary, Duchess of Roxburghe. This is the most expensive of the three tiaras, selling for more than $2.5 million.

A more imposing diamond tiara went for nearly $850,000, a piece that dates from the last quarter of the 19th century. The design features 20 swinging pear-shaped diamonds dangling amidst rose and cushion-shaped diamonds forming scroll and fleur de lys motifs and a base with lozenge and trefoil motifs. It feels like a cross between the Girls of Great Britain and Ireland Tiara, with its lozenge base, and the Fife Tiara, with its dangling pear drops, which is a very good thing by my book. And this one has added flexibility: the tiara detaches from the bandeau base to become a necklace, while the bandeau itself breaks down into two separate sections.

The last of the three tiaras is a ruby and diamond diadem of a similar age to the older diamond tiara, dating from the later half of the 19th century. The tall piece features rose, cushion, and circular-cut diamonds in foliate motifs over ruby baselines, with a central lyre design set with diamonds and rubies. The older pieces in the collection, including this ruby tiara and the diamond tiara above, possibly belonged to Mary's maternal grandmother, Hannah Primrose, Countess of Rosebery (you may remember her from our recent discussion on the Rosebery Pearl and Diamond Tiara). A matching ruby and diamond bracelet is inscribed on the back with a memorial to "my beloved grandmother Sara Cohen." This tiara brought in the lowest price at auction, just over $100,000. (See? You don't need a house. Or part of a house. You could have a tiara instead. Your loss.)

Which of these three would you most like to take home?

Photos: via Getty Images and Sotheby's video

Tiara Thursday: Queen Amélie's Diamond Tiara

Queen Amélie's Diamond Tiara
In 1886, Princess Amélie of Orleans (1865-1951) married the Duke of Braganza, later King Carlos I of Portugal. Gifts of jewelry poured in, among them this important tiara, a present from her father-in-law King Luís I. Commissioned for the occasion by Portuguese crown jewelers Leitão & Irmão, it is made from hundreds of diamonds set in silver and gold and features fleur de lys motifs separated by rows of diamond collets, the largest of which top the tiara. It's an impressive piece, and it was a fitting tiara for a future queen consort.
Wedding gifts including this tiara (center). At right is a matching necklace given by Queen Maria Pia.
As it turned out, Amélie was to be the last queen consort of Portugal. Her husband and eldest son were assassinated in 1908. Her younger son became king, but his reign lasted only until 1910, when the monarchy was overthrown. The royal family went into exile, and this tiara went with them, basically disappearing for decades.
Video: Part of the 1995 Braganza wedding
When Queen Amélie died, she returned the tiara to the line of claimants to the Portuguese throne by leaving it to her godson, Duarte Pio, the current Duke of Braganza. Still, the tiara would not be seen again until the Duke married Isabel de Herédia on May 13, 1995, more than 40 years after Amélie's death. The new Duchess of Braganza perched the grand diadem on top of an elaborate hairstyle with flowers tucked all around for their wedding, the first royal wedding in Portugal since Amélie wed Carlos in 1886.
Amélie (left) and Isabel (right)
The Duke and Duchess of Braganza continue to have close ties to certain monarchies in Europe, and they do attend large royal gatherings. But this is not the tiara we see on the Duchess at those events; so far, she has just worn it in Portugal for their wedding and for official portraits. Luckily, she has others to pick from when a tiara is required (a small diamond bandeau that belonged to the Duke's mother is one option). And though I wish we could see this one more often, the way she uses it does seem a fitting tribute to the tiara's heritage.

Does this earn a spot on your list of favorite diamond tiaras?

Photos: Cardoso/Portuguese Royal House, Leitão & Irmão, Wikimedia Commons

Tiara Thursday: The Swedish Diamond Bandeau

The Swedish Diamond Bandeau
We've featured a few tiaras here that have sparked debate as to whether they should even qualify as a "tiara" proper, and not just some kind of sparkly headband. The line between a bandeau tiara and a fancy headband can be a fine one, and today's tiara sits right on that line.
Victoria
Often referred to as the Swedish Diamond Bandeau, this is probably less of a tiara by design and more of a diamond rivière (a necklace, usually, of a strand of single round diamonds) repurposed as a hair ornament. The bandeau features two such strands across the head.
Silvia
The Swedish royal ladies do like to get creative with their tiara hair. They often take intricate hairstyles and add more jewels to them, such as brooches or strands of diamonds woven through (a strategy used by Queen Silvia for some of her Nobel Prize Awards hairstyles over the years, including the example above). Crown Princess Victoria has used rivières to further embellish the bases of both the Four and Six Button Tiaras (for Nobel 2011 and 2012). It's hard to differentiate between these, so it's hard to know how many rivières they have available for such experimentation, or just how many different uses each one has had.
Victoria
Victoria has worn the Diamond Bandeau on a few of the rare occasions when she's worn her hair down at formal events, and Princess Madeleine has also used it to great effect. Since this particular arrangement has been worn multiple times and has been worn to tiara events, seemingly classifying it as another tiara option from plentiful family collection, I'm calling it a tiara here. It's a baby sister to the Dutch Diamond Bandeau, giving you the impact of a tiara without the full weight of one, which seems handy. And I'm all for the dream of being able to play around with your spare diamond strands...

What say you: 
Yay for all gem creativity!
or 
Nay! Just put a proper tiara on already, why don't you?

Photos: Kungahuset and via Getty Images

Tiara Thursday: The Ansorena Princess Fleur de Lys Tiara

For at least five years before we ever saw it in action, there were reports of this tiara’s existence. It was said the Princess of Asturias (as Queen Letizia was at the time- hence the Princesa name many articles have given it this week, and the name we’ll use here) had been given a new tiara in diamonds and pearls, with a detachable diamond fleur de lys brooch in the center – the only portion that had actually been worn. Spanish jeweler Ansorena, who made the tiara, commented on its creation and pictures were published. But as the years went on and the tiara remained unused, it started to seem like some kind of mythical, somehow imaginary jewel…which only made its final debut last week an even sweeter surprise.
The Ansorena Princess Fleur de Lys Tiara
The reports were finally proven correct at the gala dinner in Copenhagen for Queen Margrethe’s 75th birthday. The tiara is indeed a creation of pearls and diamonds, set in 18 carat white gold. There are 450 diamonds forming a base of looping swirls and the center fleur de lys motif, and the diadem is topped with 10 large Australian pearls, selected from 3,000 gems to get just the right pieces for the tiara. The fleur de lys is a Bourbon symbol and part of the King’s coat of arms, and Queen Letizia likes to use the diamond brooch with her ribands for state banquets and other gala occasions.
It was made by Ansorena (other Ansorena tiaras have used the same loop design) and it’s not the only Ansorena fleur de lys tiara in the Spanish royal collection. The best known example is the biggest piece available to Spanish queens, a wedding gift from King Alfonso XIII to Queen Victoria Eugenia in 1906. Letizia’s version doesn’t have quite such a cut-and-dried gifting story.

Creating the tiara was Ansorena’s idea, a notion that came to the then-head of the family-owned company while he watched Felipe and Letizia’s 2004 wedding. He decided the new princess should have a tiara and set about designing one, considering other designs and even the use of aquamarine stones before deciding on the final model. Most Spanish reports I've read since the tiara’s debut seem to have settled on it as a gift from King Felipe VI to Queen Letizia for the couple’s fifth wedding anniversary in 2009, purchased for an estimated 50,000 euros, but earlier accounts indicate that Ansorena gave it to the royal family. From the actual giver of the gift to the timeline (it was made earlier than 2009, some say it could have been given as early as 2007 or so, and Letizia has been wearing the brooch portion since at least 2008) to whether or not Felipe had any input in the design, the details vary from one article to the next.
Wearing the brooch
When I first wrote about this tiara in 2011, I said that I suspected that the ambiguity surrounding the tiara's origin suited the royal family just fine, because while accepting lavish gifts is dicey territory, so is the purchase of new jewelry when your country's economy is struggling. Certainly the economic issues Spain has been dealing with coupled with the harsh criticism the royal family can draw are likely reasons behind the delay in the tiara’s appearance, as well as Letizia’s choice to give it a “soft opening” of sorts at a foreign royal event.
We’ve seen a slow and steady increase in her use of jewels since Letizia became the queen consort. The Danish banquet brought not only the new tiara, but a double clip-style brooch she hadn’t been seen in previously, her Cartier diamond bracelet, and even a Bulgari ring said to have been a gift from Felipe after the birth of one of their daughters. I was never quite sure what to make of the new tiara, and I’m still not sure even now that we’ve seen it – it does look much better in use than I thought it would and it sits nicely on her head, though the design overall is not a favorite. Still, I am glad to see it and to see her have a tiara that is her own and not one tied to any other member of the family.

It’s been a week since the big debut and I'm sure you've been thinking of nothing else since, so let’s have your verdicts…

This tiara: A winner, or no?

(By the way, if you need to see it in action again before making your judgment – you know, for science purposes – here’s part 1 and here’s part 2 of the dinner on YouTube.)

(And also by the way, no second post today!)

Photos: Ansorena, and via Getty Images as indicated

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